This thesis explores the transformations of graphic design in the digital age, bringing together photography, graphic design, and media interaction design. Through this research, I examine the evolving role of the designer today.

Development of a visual identity for écal workshops, applied across the school's various communication materials.

Mitose is an experimental graphic narrative printed in duotone using risography and laser printing.

Originally designed as a space for exchange, Twitter, now X, operates more as a visibility system driven by polarization, reaction, and engagement. This project questions freedom of expression and its limits, while highlighting the mechanisms that promote the spread of violent content.

We Don't Watch is an interactive web project using hand gestures as a form of symbolic boycott. Developed in response to the 2022 FIFA World Cup and the human cost behind its stadiums, it stages a virtual match controlled entirely by the user's movements.

The technique of lithographic printing, in addition to referencing the gravestone, made it possible to work directly on the printing stone by scratching out the faces in the photographs, thereby anonymizing the individuals depicted. Each printing layer represents a stage of life, from early childhood to old age. These stages are printed in chronological order.